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Curated by Lisbet Tellefsen and Amy Sueyoshi.

This exhibition was on view at the GLBT Historical Society Museum from February to September 2018.

It brought together rare posters and ephemera documenting some of the roles that Black lesbian activist, scholar, political prisoner and public intellectual Angela Davis has played in the American and international imaginary. The exhibition encourages us to consider the meaning of Davis’ life and political engagements across more than half a century. Her consistent call for a world free from exploitation continues to resonate in the emerging resistance movements of the present day.

All images are courtesy of the Lisbet Tellefsen Collection. 


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A scholar and an activist; a former political prisoner; a leading philosopher of freedom and a queer Black woman. Those are just a few of the ways to describe Angela Davis. 

Davis was born in 1944 and raised in segregated Alabama. Her earliest politics were sparked by the extreme political, racial and economic injustice she witnessed and were informed by the groups she saw working for change. Among them was the Communist Party, which had a long history of organizing for reforms in the South. 

 
 
 
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A brilliant student, Davis received a scholarship to attend a progressive high school in New York City. Her undergraduate education took her to Brandeis University near Boston, where she studied with political theorist Herbert Marcuse. She went on to take courses at the Sorbonne in Paris, then began doctoral work in philosophy in West Germany. 

The burgeoning Black Power movement compelled Davis to return to the United States to join the struggle. She settled in Southern California, working briefly with the Black Panthers before focusing her energies on an all-Black branch of the Communist Party, the Che-Lumumba Club.


“Angela’s politics have always epitomized intersectionality—exploring broadly and incisively the connections between race and class, gender and sexual orientation.”

—Lisbet Tellefsen


Angela Davis, photographed by Allen Zak, Berkeley Graphic Arts, 1970; collection of Lisbet Tellefsen, used with permission.

 
 
 
Continue scrolling for the rest of the exhibition.
Click on the individual images to enlarge photos and read captions and credits.
 
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The political beliefs Angela Davis advocated would threaten her academic career in 1969. Appointed at the University of California, Los Angeles, to her first faculty position, she soon was fired due to her membership in the Communist Party. The university’s action sparked a national debate on academic freedom and thrust Davis into the public eye. 

A brilliant scholar and political theorist, Davis became an outspoken activist in the Los Angeles Black community. She became a symbol—not only as a political figure, but also as an ideal of Black womanhood.

 

“You can jail a revolutionary, but you can’t jail a revolution” poster, anonymous, ca. 1970; collection of Lisbet Tellefsen, used with permission.


“While she may have a larger-than-life persona, she is also our teacher, mentor, sister and friend. The glaring spotlight on her public life was contrasted by the privacy in which she conducted her private life—and we understood. While we could and often did debate what exactly constituted her public coming out, her unwavering and vocal support for LGBTQ rights was always visceral and crystal clear.”

—Lisbet Tellefsen


Angela Davis, poster, anonymous, ca. 1970; collection of Lisbet Tellefsen, used with permission.

 

Angela, poster, Lonmill Industries, 1971; collection of Lisbet Tellefsen, used with permission.

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By 1970, Angela Davis would inspire activists and artists across the country and around the globe. The cross-pollination of Black Power, counterculture and pop culture influences was reflected in the posters produced during this period.


“Angela Davis is a global icon, a freedom fighter and vocal ally for oppressed peoples around the world. Yet in the Bay Area, where she made her home, Angela had another dimension. As a Black lesbian growing up here, I always saw Angela as an integral member of our lesbian-of-color community.”

—Lisbet Tellefsen


Angela, poster by Barry Shapiro, Fanshen Press, Del Mar, 1971; collection of Lisbet Tellefsen, used with permission.

 
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“Wanted by the FBI: Angela Yvonne Davis” poster, Federal Bureau of Investigation, Washington D.C., 1970; collection of Lisbet Tellefsen, used with permission.

With her national visibility increasing, Davis received hate mail and death threats, but she persisted in speaking out. Her work included organizing on behalf of the Soledad Brothers, including George Jackson, author of a book of prison letters, Soledad Brother (1971). Jackson’s teenage brother, Jonathan, accompanied Davis on public appearances as an informal bodyguard. 

On August 7, 1970, in an ill-fated attempt to free his brother who was on trial, Jonathan Jackson took over a Marin County courtroom in Northern California. The ensuing shootout killed Jonathan, the judge and two others. In Jonathan’s possession were guns Davis had purchased for self-protection. 

Given the tense political climate of the era, Davis presumed she would be falsely accused of complicity in the attack. She went underground, culminating in the FBI placing her on its Ten Most Wanted Fugitives list. Captured in October 1970, she was charged with kidnapping and murder. Tried by an all-white jury, she was found not guilty in 1972.

 

“Wanted: Faith, Beauty, Integrity” poster by Mohammed K., 1970; collection of Lisbet Tellefsen, used with permission.

“Angela is Happening!” poster, Committee of the Arts to Free Angela Davis, Los Angeles, California, 1971; collection of Lisbet Tellefsen, used with permission.

“Revolutionary Intercommunal Day of Solidarity” poster by Emory Douglas, Black Panther Party, Bay Area, California, 1971; collection of Lisbet Tellefsen, used with permission.

 
 
 

“Free Angela” poster by Herb Bruce, Chicago, 1971; collection of Lisbet Tellefsen, used with permission.

 
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Upon her arrest in October 1970, during her imprisonment and trial, Angela Davis became the center of an international movement against state violence, Western imperialism and the growing prison-industrial complex. 

From her jail cell, she produced some of her most poignant publications on liberation. Her words and her cause mobilized supporters and organizers in the United States and worldwide. “Free Angela” committees were formed internationally, while her image inspired legions of artists.

 

“Free Angela Davis” poster, Angela Davis Defense Committee, London, 1970; collection of Lisbet Tellefsen, used with permission.

“Free Angela & All Political Prisoners” poster, Anonymous, Oakland, California, ca. 1971; collection of Lisbet Tellefsen, used with permission.

“Libertad Para Angela Davis” felt pennant, Juventud Comunista del Ecuador, Comite Provincial de Pichincha, 1971; collection of Lisbet Tellefsen, used with permission.


“Angela Davis is a human rights activist of the highest order.
And she is one of us.”

—Lisbet Tellefsen


"Libérez Angela Davis" poster, Union des étudiants communistes de France, ca. 1971; collection of Lisbet Tellefsen, used with permission.

“Libertad para Angela Davis” poster by Félix Beltràn, Comite por la Libertad de Angela Davis, Cuba, 1972; collection of Lisbet Tellefsen, used with permission.

 
 
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“Frame-Up - Free Angela Davis, We have freed her, now let's help the others” poster, anonymous, ca. 1972; collection of Lisbet Tellefsen, used with permission.

Found innocent and freed from prison in 1972, Angela Davis went on to work as an professor, author and public intellectual. She remained highly engaged in anti-racist and anti-capitalist thinking and organizing, and resumed speaking out against state violence, imperialism and the carceral state.

Five decades later, Angela Davis remains outspoken and is one of the leading philosophers of freedom. Today, Davis also challenges mainstream LGBTQ movements, insisting that we see the military and marriage with a critical eye as institutions tied to sexism, homophobia and capitalism.

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“Angela Davis Urges - Declare Your Independence,” Hall-Tyner Election Campaign Committee, 1976; collection of Lisbet Tellefsen, used with permission.

 
 
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Lisbet Tellefsen has been an archivist, collector and event producer in the Bay Area for more than three decades. She was publisher of Aché: A Black Lesbian Journal from 1989 to 1995. She frequently lends works from her collection of posters and fine arts reflecting African American radical organizing and other subjects for display in exhibitions around the United States. In addition, the Smithsonian National Museum of African American History and Culture and the San Francisco Museum of Modern Art (SFMOMA) have acquired materials from Tellefsen for their permanent collections.

Amy Sueyoshi is a historian specializing in sexuality, gender and race. She serves as interim dean of the College of Ethnic Studies at San Francisco State University and holds a joint faculty appointment in Sexuality Studies and Race and Resistance Studies. She is the author of two books: Queer Compulsions: Race, Nation and Sexuality in the Affairs of Yone Noguchi (2012) and Discriminating Sex: White Leisure and the Making of the American “Oriental” (2018). Sueyoshi is a recipient of the GLBT Historical Society’s Clio Award for contributions to queer history and served as community grand marshal for San Francisco Pride in 2017.

 
 
 
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Special thanks to Angela Davis and Ericka Huggins for their counsel in preparation of this exhibition and to Lincoln Cushing for providing digital images.

Donors:
Anonymous
Terry Beswick
Bryn Buchanan (in honor of Mesha Caldwell)
Bud Budlong & Donald Smith
Valerie Chan
Lindsey Dayton (in honor of Jared Odessky) 
Hailey Folmer 
Galleria Scola
Amikaeyla Gaston & Susan Callender
Maggie Harrison & Zelda Saeli
David Hutchinson
Crystal Jang & Sydney Yeong
Ashley Lavelle 
Letty Ledbetter
Maria Morales & Crystal Terry
Peter Park
Stephanie Pascal (in honor of Becka Robbins)
Pam Peniston
John Raines
TAP Plastics
Lisbet Tellefsen & Ericka Huggins

Angela Davis doll, designed by Edna Henderson; collection of Lisbet Tellefsen, used with permission.

 
 
 

2018 Museum Exhibition Team
Exhibition Managers: Elisabeth Cornu, Jeremy Prince
Text Editor & Communications Coordinator: Gerard Koskovich
Multimedia Producer: John Raines
Design Consultants: Jeff Raby, Creatis Group, Inc. & Ramón Silvestre
Art Handlers: Valeria Lannes, Renae Moua, Ana Navarro, Sadie Peckens, Brie Silva, Alexandra Wirth

 
 

Nalini Elias, Director of Exhibitions and Museum Experience, Website Design
Leigh Pfeffer, Manager of Museum Experience, Public Programs
Mark Sawchuk, Ph.D., Communications Manager, Editor 
Ramón Silvestre, Ph.D., Museum Registrar and Curatorial Specialist 
Contact, GLBT Historical Society
Copyright © 2020 The GLBT Historical Society; all rights reserved.
The contents of this exhibition may not be reproduced in whole or part without written permission.
 
 
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